Saturday, February 1, 2014

February 8th: The African History Network

If you do not understand European White Supremacy, what it is and how it works, everything else that you think you understand will totally confuse you.

This story is about Nigerian (Nollywood) actress Thelma Omone O’khaz who is accused of bleaching her skin but denies it. Read the article. Look at other pictures of her online or her Facebook page and you realize something is really going on here. Also, notice her blond hair and green eyes. A recent study revealed that 77% of Nigerian women bleach their skin. This is what happens when you hate who you are and love who you can't be.

 
This isn't beauty. This is low self-esteem



If you want to learn more about African History and African-American History to counteract the negative images we see of ourselves on the TEL-LIE-VISION (TV), please visit
http://theafricanhistorynetwork.net/

They have information to Educate, Empower and Inspire people of African Descent throughout the Diaspora and around the world.

Listen to The African History Network Show with host Michael Imhotep as we interview some of our top Scholars on African History and much more every Thurs, 8pm-11pm EST at http://www.blogtalkradio.com/theafricanhistorynetworkshow or www.TheAfricanHistoryNetwork.com by phone, when we are LIVE at (914) 338-1375. Episodes are also archived on www.Itunes.com.

January 30, 2014 ‐ By Charing Ball



"The topic of skin whitening has become so monstrous in the global black community (and for good reason, I might add) that even the mere accusation of bleaching has the potential hurt careers.
Just ask Fantasia. Or Beyonce. Or Tempestt Bledsoe. And more recently Nigerian (Nollywood) actress Thelma Omone O’khaz. If the name doesn’t sound familiar than you might be better acquainted with the picture of a ghostly white version of her face, bleached blonde hair and green eyes, which have been blowing up on social media sites like Facebook and Twitter and on the blogs."
 


"However not everyone is familiar with O’khaz this side of the Atlantic. Moreover, the topic of skin bleaching on the continent, as well as elsewhere in the black Diaspora, has recently garnered lots of attention among Western black audiences. The most recent example is the viral images of Cameroon pop star Dencia, whose recently lightened skin, hair and eyes served as pitch person for a cosmetic line of skin bleaching creams called “Whitenicious.” Black folks in the West, scared by legacy of slavery as well as continued systematic racism and colorism, generally frown upon the practice and associate skin lightening with an extreme example of self-hate (Dr. Yaba Blay has a litany of great essays and research on various topics related to colorism). As such O’khaz thought it best to not be introduced to new Western audiences by rumors of skin bleaching."

The topic of skin whitening has become so monstrous in the global black community (and for good reason, I might add) that even the mere accusation of bleaching has the potential hurt careers.
Just ask Fantasia. Or Beyonce. Or Tempestt Bledsoe. And more recently Nigerian (Nollywood) actress Thelma Omone O’khaz. If the name doesn’t sound familiar than you might be better acquainted with the picture of a ghostly white version of her face, bleached blonde hair and green eyes, which have been blowing up on social media sites like Facebook and Twitter and on the blogs.
The blogs accused O’khaz of skin bleaching and features earlier pictures of a much more natural and darker version of the Lagos-born actress as proof. By yesterday morning, outrage and disgust over the skin changing pictures have managed to seep out of the usual network of Naija based bloggers and gossip sites and into the horrified yet poorly contextualized eyesight of mostly Western black viewers, who prior to the lurid picture, had no idea who she was. Admittedly, I too was part of the confusion.
Hoping to make sense of what I was seeing, I reached out to O’khaz via Facebook, about the controversial images. Initially, she was hesitant about speaking out on the rumors, citing the age old adage: “they can talk as much as they want and believe what they want.” And she has been pretty much mocking the controversy on both her Facebook and Twitter accounts with such tweets as:
My nose doesn’t fit my new white skin so I need a very good plastic surgeon 2 fix it up. Who has Dr 90210′s number? Money no be problem.”
However not everyone is familiar with O’khaz this side of the Atlantic. Moreover, the topic of skin bleaching on the continent, as well as elsewhere in the black Diaspora, has recently garnered lots of attention among Western black audiences. The most recent example is the viral images of Cameroon pop star Dencia, whose recently lightened skin, hair and eyes served as pitch person for a cosmetic line of skin bleaching creams called “Whitenicious.” Black folks in the West, scared by legacy of slavery as well as continued systematic racism and colorism, generally frown upon the practice and associate skin lightening with an extreme example of self-hate (Dr. Yaba Blay has a litany of great essays and research on various topics related to colorism). As such O’khaz thought it best to not be introduced to new Western audiences by rumors of skin bleaching.
O’khaz said that while she is naturally lighter skinned, she is not Casper-white as we see in the picture. She also emphatically denies ever bleaching her skin. Instead, she says that the ghostly white image making its way around the Internet is photoshopped.
- See more at: http://madamenoire.com/345791/nigerian-actress-thelma-omone-okhaz-sets-record-straight-on-skin-lightening-pictures/#sthash.LTuUR9kH.dpuf
 By Charing Ball

January 30, 2014 ‐ By Charing Ball

February 7th: The 13th Amendment

This day in history, January 31, 1865, the 13th Amendment, which formally abolished slavery in the United States, was passed. This is a Civil War era photo of freed slaves.
What does this picture capture?

February 6: Throw Back Thursday

 #TBT at the Silent March in New York City, 2012


February 5th: "Father of Black History"

On this fourth day of Black History Month, we honor 1926 NAACP Spingarn Medal recipient and the "Father of Black History,"
Carter G. Woodson, who once wrote: Let us banish fear. We have been in this mental state for three centuries. I am a radical. I am ready to act, if I can find brave men to help me.

Februray 4th: Black Icons

Josephine Baker, Bayard Rustin, Fannie Lou Hamer, El Hajj Malik Shabazz (Malcolm X), Harry Belafonte, Michelle Obama, John Legend and NAACP staffer. Black History Month elevates the great history of the United States--people who organized, pioneered, led, sang, fought and worked for freedom. We've featured both past, present and future leaders because Black History is a breathing and thriving history. We hope that you share our cover this month and watch for daily ‪#‎BlackHistoryMonth‬ content.

February 3rd: Girl at River. Elisha Ongere

"My themes mainly are African faces...women...maybe a few are men. But the majority are women because beauty is expressed here in Africa through the woman. We don't express beauty using a man. We express beauty by portraying a woman. A woman's beauty often involves their expressions, especially in the eyes. So that's why the majority of my paintings are featuring women exactly as they are."- Elisha Ongere

http://www.trueafricanart.com/african-artists/Elisha-Ongere.html

Beautiful African Art!Learn more about this artist.
Artist:  Elisha Ongere (Kenya)
Title: Girl at River
Dimensions: 14" x 18" (35 x 46 cm)
Medium: Oils on Canvas
Price: $399


http://www.trueafricanart.com/african-artists/elisha-ongere-biography.html

 "In my African paintings, I'm just trying to bring in our continent's natural state of being: unrefined, unpolished. You know, African art and African artists are not frequently refined artists, like it is in European art. That theme of bringing African fine art is not actually our approach all the time. The usual African approach is simply, you put down what you think, what you visualize, and there is no demand for that refinement behind it. It is simply recording the idea...maybe what you have seen, what you would like to feature. And you limit it at that, you don't dive for that fineness. It is just simply doing the African painting, recording it, and then you move ahead and you do another."- Elisha Ongere